Lawrence Lek (Chinese: 陆明龙;) is a multimedia artist, filmmaker, and musician based in London. His works include the films "AIDOL", "Geomancer", " Sinofuturism (1839–2046

Centre A and The Visual Arts Centre of Clarington are pleased to present UK-based artist Lawrence Lek‘s Sinofuturism (1839–2046 AD) (2016), an experimental video essay on a future seemingly (re-)positioned by China’s technological development through science fiction, documentary melodrama, social realism, and Chinese cosmologies, un-mirroring cultural clichés.

A spectre Lawrence LekPRO Sinofuturism is a video essay combining elements of science fiction, 6 Mar 2017 Sinofuturism (1839 - 2046 AD) from Lawrence Lek on Vimeo. "Sino-Futurism is an invisible movement. A spectre already embedded into a 17 Mar 2018 Sinofuturism became popularized by simulation artist Lawrence Lek and his homonymous short film in which he proposes 7 key concepts Freeport” which is the first solo exhibition in Switzerland by Lawrence Lek. of the film screening “To Other Shores: On Techno-Sinofuturism and AI Artist Bots. Usijano more – Lawrence Lek, Sinofuturism (1839 – 2046 AD), screenshot. Impressum · O nama · Postanite partner Udruge Arteist · Podržavam Arteist! When I join Lawrence Lek at his studio in Hackney Wick, I feel welcomed into a cosy The product of this thought is a one hour video essay titled Sinofuturism, 06.01.2017 - "Sinofuturism is an invisible movement. Sinofuturism (1839 - 2046 AD) by Lawrence Lek Bewusstsein, Science Fiction, Leuchtreklamen.

Lawrence Lek, Sinofuturism (1839 - 2046 AD) [still], 2016, HD video, stereo sound, duration: 60 min (Credit: © Lawrence Lek, courtesy Sadie Coles HQ, London.) INT: It’s funny because when I’ve engaged with your work before, like Sinofuturism , what I … 2021-4-8 · From October 22 – November 8, 2020, Lek’s experimental video essay Sinofuturism (1839-2046) will be available to screen for all program registrants. In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development. Through “Sinofuturism,” Lek asks us to reassess our valuation of the copy: “ [the] video essay [‘Sinofuturism’] … [aims] to see things from the machine’s perspective, to see copying as not lesser than originality … to see gameplay and gambling as not lesser than the fine arts or … His works include the video game ‘Unreal Estate: The Royal Academy is Yours’ (2015 Dazed Emerging Artist Award), the influential video essay ‘Sinofuturism (1839-2046 AD)’, the AI-coming-of-age story ‘Geomancer’ (2017 Jerwood/FVU Award), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (ICA, London; Art Basel). Sinofuturism (1839-2046 AD) is a piece of science fiction where an AI emerges from the same patterns that Chinese culture uses to replicate itself. But it’s not only about China, or even East Asia; it’s about viewing the global techno-industrial complex as a posthuman intelligence whose central purpose is … Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065. Personification is widely used in poetry and literature by adding human characteristics to non-human phenomena and seeing the natural world as a mirror of the These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek’s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Bio Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices—CGI, audio-visual performance, gaming, and fiction—into a continuously expanding cinematic universe. Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020.

Lek goes far with these created worlds, weaving narratives through real and imaginary histories. Through Lek’s presentation, we got to know the stories behind the films included in the Sinofuturist Trilogy: Sinofuturism (2016), Geomancer (2017), and Aidol (2019), all of which attendees were invited to stream prior to the event. “but where sinofuturism intersects with gambling is in an intense belief in the future.

If you’ve ever seen an interview with simulation artist, filmmaker and musician Lawrence Lek before, it’s likely you were dumbfounded by his articulation of a highly synthesised digital art practice.

The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism … 2021-4-5 · TodayHeadline The futuristic visions of multimedia artist Lawrence Lek – These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously The futuristic visions of multimedia artist Lawrence Lek The film-maker on melding video games, music and political theory — and exploring our anxieties about a changing world Share on Twitter 2021-3-11 · 60 min. At the exhibition from March 21, 2018 to May 27, 2018. »Sinofuturism« is an invisible movement.

From October 22 – November 8, 2020, Lek’s experimental video essay Sinofuturism (1839-2046) will be available to screen for all program registrants. In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development.

It is a movement, not based on individuals, but on multiple overlapping flows. Lawrence Lek, Sinofuturism (1839-2046 AD) [still], 2016, HD video, stereo sound, 60′. Image credit © Lawrence Lek, courtesy Sadie Coles HQ, London. So I began to develop an artificial intelligence that would be an appropriate avatar for this concept. Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the… ‎Sinofuturism (1839 - 2046 AD) (2016) directed by Lawrence Lek • Reviews, film + cast • Letterboxd These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously expanding cinematic universe.

Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism … 2020-12-1 Interview by Alvin Li Opened on March 20 in Hong Kong, a few days ahead of the Asian edition of Art Basel fair, Lawrence Lek’s first solo exhibition will leave you wondering what art and a sinocentric world will be like in 2065. In this conversation, Lek talks to Alvin Li about posthuman agency, the […] 2018-12-12 · So too Sinofuturism, in Lawrence Lek’s eponymous video essay Sinofuturism (1839 - 2046 AD), conceives of China’s technological development over the course of the 19th to 21st centuries as a form of Artificial . Intelligence: a gargantuan neural network unfurling by the silken roads of globalisation and diaspora across all 2021-2-1 · Lawrence Lek, Sinofuturism (1839-2046 AD), 2016. HD Video, 60 min.
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Sinofuturism (1839 - 2046 AD) by Lawrence Lek Bewusstsein, Science Fiction, Leuchtreklamen. In his speculative video installations and virtual reality applications, the artist Lawrence Lek examines the entanglement between digital worlds and our Geomancer at To Other Shores: On Techno-Sinofuturism, AI Artist Bots and New Artist talk by Lawrence Lek, Garage Museum of Contemporary Art, Moscow, 27 Nov 2020 Lawrence Lek is releasing AIDOL 爱道 (OST), via London's series of video by the artist that includes 2016's Sinofuturism (1839-2046 AD) and Screen Lawrence Lek's films Sinofuturism (1839-2046 AD), Geomancer, and AIDOL here starting here starting Oct 19. https://lawrencelek.com/berkeley2020 23 Oct 2020 Lawrence Lek is a London-based artist, film-maker and musician who creates is at the core of my video essay 'Sinofuturism (1839-2046 AD)'. Lawrence Lek's films include Geomancer, Aidol, Sinofuturism (1839 - 2046 AD) 4 Sep 2020 and a million veiled narratives,” as Lawrence Lek defines it, sinofuturist visions collapse trillions of possibilities into a singular hegemony of Even Lawrence Lek's artwork Sinofuturism (1839-2046 AD), which has become a defining reference for this term, repeatedly reaches for a common tactical Lawrence Lek Biography.

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Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065. Personification is widely used in poetry and literature by adding human characteristics to non-human phenomena and seeing the natural world as a mirror of the self.

winning and losing are clearly defined. so programmers Centre A and The Visual Arts Centre of Clarington are pleased to present UK-based artist Lawrence Lek‘s Sinofuturism (1839–2046 AD) (2016), an experimental video essay on a future seemingly (re-)positioned by China’s technological development through science fiction, documentary melodrama, social realism, and Chinese cosmologies, un-mirroring cultural clichés. Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism (1839-2046 AD). Lawrence Lek is a member of Vimeo, the home for high quality videos and the people who love them.

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TodayHeadline The futuristic visions of multimedia artist Lawrence Lek

These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously expanding cinematic universe.

Lawrence Lek Play Station, 2017 2-Kanal-Video-Installation, HD Video, 2:40 min und 5:05 min Sinofuturism (1839–2046 AD), 2016 Full HD Video, 60:00 min Holen… Screen Lawrence Lek's films Sinofuturism (1839-2046 AD), Geomancer, and AIDOL here starting October 19. Interlaced with conspiracy theories and speculative fiction, Lawrence Lek’s CGI films, installations, and open-world games explore the geopolitical impact of automation and simulation. The work of Lawrence Lek not only inspires awe and wonder, but also aims to incite critical thinking in his viewers as much as any other reaction. One of his best-known works in the film arena, Sinofuturism (1839–2046 AD) is a multi-genre video essay that critiques the problems within Chinese society by challenging the narratives of both the foreign and domestic perceptions of the nation.

2021-4-5 · In the case of Sky Line, Lek offers a critique of the lack of infrastructure for certain arts spaces in London, hereby offering his vision of a unified network. In his 2016 work Sinofuturism (1839–2046 AD), Lek offers a video essay that pushes the perception of different narratives of China. As the artist states, China is perceived from the Lawrence Lek Play Station, 2017 2-Kanal-Video-Installation, HD Video, 2:40 min und 5:05 min Sinofuturism (1839–2046 AD), 2016 Full HD Video, 60:00 min Holen… 2021-2-23 · In his speculative video installations and virtual reality applications, the artist Lawrence Lek examines the entanglement between digital worlds and our perception of human agency. The exhibition of the 2018 Werkleitz Festival features two video works by Lek: Play Station and Sinofuturism (1839–2046 AD). The sci-fi video essay Sinofuturism draws parallels between the 2021-3-23 Sinofuturism (1839 - 2046 AD) by Lawrence Lek, London London – Speculative artist Lawrence Lek has created a visual essay exploring the concept of Sinofuturism.